Remington Elizabeth Moses — A Modern Heirloom: Family, Film, and the Quiet Spark

Basic Information

A family story that reads like a movie’s opening shot

If Hollywood were a family tree, some branches would already be gilded — then Remington Elizabeth Moses arrives and the camera dollies in for a closer look. I’ve watched this lineage feel less like legacy and more like a living room where guitars, scripts, and paintbrushes sit within arm’s reach. Born August 11, 1992, she carries both surname and story: daughter of Tracy Nelson and William R. Moses, granddaughter of Ricky Nelson and Kristin Harmon, and therefore part of a multi-generational entertainment dynasty that includes the likes of Ozzie & Harriet and the Harmon clan. Those names read like pop-culture shorthand — but behind them are birthdays, marriages, and children: real, ordinary—if somewhat cinematic—family life.

Numbers help frame it: three generations of actors, at least two musical dynasties, and a handful of half-siblings and cousins who keep the family tree sprawling. To me, that’s not lineage as pedigree — it’s lineage as rehearsal: everyone’s rehearsing a life in public and private, alternately offstage and under lights.

Career: indie cred, festival nights, and a steady climb

Remington’s path reads like the slow burn of an indie hero—short films, producing credits, writing that lives in festival programs and IMDb lists. Between 2020 and 2022 she accumulated several small but meaningful credits: think short films such as Questiny (2020) and And the Heavens Must Have Cried (2022) — titles that sound like they belong in film-festival marquees. She’s listed as actor/writer/producer in various projects, which suggests an artist who prefers creative control over red-carpet spectacle.

Here’s a compact filmography table for the curious:

Those entries tell a story of someone learning the craft in public — writing, producing, performing — the kind of portfolio that reads as steady, not meteoric. It’s the craft-driven path many actors take: a series of small, deliberate choices that build toward recognizable work.

Personal life: partnerships, photos, and the modern private-public balance

If the family tree is cinematic, her personal life plays out like an intimate indie film: shared photographs on social media, warm group shots with parents and cousins, and a reported partnership with filmmaker James Camali — social posts point to a ceremony on December 31, 2022. I treat those dates like intertitles in a movie: they’re public, they punctuate the narrative, and they invite interpretation without demanding it.

She’s listed as part of the household of the Nelson and Moses branches — which includes half-siblings and relatives whose names appear in family biographies: Grace, Elijah Nelson Clark, Gunnar and Matthew Nelson as uncles, and a generation that reaches back to Mark Harmon and Kristin Harmon. It’s a family of performers and public personas — and Remington seems to move through it with the quieter confidence of someone who knows family history but is quietly scripting her own scenes.

Money, perception, and the rumor mill

Ah — net worth, the gossip column’s favorite math problem. Popular entertainment pages place a rough figure near $500,000 for Remington, but that’s the kind of number that floats through tabloids and biography pages without the paper trail to make it arithmetic. I mention it because it’s part of how public perception forms: a tidy number makes a life legible to readers. But the real ledger for a working indie actor is rarely a single number; it’s credits, festival bookings, small producing checks, and the value of cultural capital — the kind that pays in opportunities rather than headline dollars.

Public profile: press, posts, and the social echo

Remington’s name appears across family-oriented biographies, social feeds, and indie-film pages — often as a footnote in larger stories about the Nelson-Harmon clan, sometimes in festival programs. Instagram posts (public-facing) show gatherings, celebrations, and occasional behind-the-scenes glimpses — the contemporary archive of private life made public. The press that mentions her tends to be small-press entertainment sites and festival coverage; the kind of attention that’s earnest, not loud.

What I find charming — and cinematic — is how the social media collage reads like a sampler platter: wedding-style photos, candid family shots, headshots that belong in actor portfolios, and festival stills that suggest a life divided between family gatherings and on-set concentration.

FAQ

Who are Remington Elizabeth Moses’s parents?

Her parents are Tracy Kristine Nelson (mother) and actor William R. Moses (father).

When was Remington born?

She was born on August 11, 1992.

Is she related to Ricky Nelson and the Nelson family?

Yes — she is the granddaughter of Ricky Nelson and part of the Nelson/Harmon entertainment family.

What does she do professionally?

She works as an actress, writer, and producer in independent and short film projects.

Does she have any siblings?

Reported half-siblings include Grace and Elijah Nelson Clark.

Is she married?

Social media and reports indicate a partnership with James Camali, with posts referencing a ceremony on December 31, 2022.

What is her net worth?

Tabloid-style estimates place her around $500,000, but that figure is speculative and not verified by official records.

Where can I see her work?

Her credits appear in festival programs and film listings for indie shorts dated roughly 2020–2022; those projects circulate in festival circuits and industry databases.

How is she connected to Mark Harmon?

Mark Harmon is part of the extended Harmon family through Kristin Harmon, making him an extended relative in Remington’s maternal family network.

What kind of projects does she prefer?

Her body of work skews toward indie short films, writing, and producing — the kind of projects that favor craft and collaboration over blockbuster scale.